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Music Production English - 音楽制作英語


DAW & Production Basics

Term Japanese Explanation
DAW デジタルオーディオワークステーション Digital Audio Workstation (Logic, Ableton, Pro Tools)
track トラック Individual channel for audio/MIDI
bus バス Route multiple tracks to a single channel for group processing
send センド Route a copy of a signal to an effects bus
return リターン The bus that receives a send signal
bounce バウンス Export/render audio from the DAW
stem ステム Individual exported track or group (drums stem, vocal stem)
session セッション The working file in a DAW
tempo テンポ Speed of the music in BPM (beats per minute)
time signature 拍子 4/4, 3/4, 6/8, etc.
quantize クオンタイズ Snap notes to a grid for perfect timing
automation オートメーション Programmed parameter changes over time
gain staging ゲインステージング Managing signal levels throughout the chain
latency レイテンシー Delay between input and output
buffer size バッファサイズ Affects latency vs. CPU load tradeoff
plugin プラグイン Software effect or instrument (VST, AU, AAX)
sample rate サンプルレート 44.1kHz, 48kHz, 96kHz, etc.
bit depth ビット深度 16-bit, 24-bit, 32-bit float
MIDI ミディ Musical Instrument Digital Interface
audio interface オーディオインターフェース Hardware for connecting mics/instruments to computer

Recording

Term Japanese Context
take テイク "Let's do another take." (もう一回録ろう)
punch in/out パンチイン/アウト Re-record a specific section
overdub オーバーダブ Record additional layers on top
comping コンピング Selecting the best parts from multiple takes
click track クリック/メトロノーム Metronome track for timing reference
scratch track スクラッチトラック Rough reference recording
bleed 被り/かぶり Sound from other sources leaking into a mic
proximity effect 近接効果 Bass boost when close to a directional mic
pop filter ポップフィルター Screen to reduce plosive sounds (p, b)
DI (Direct Input) ダイレクトインプット Recording instrument directly without a mic
phantom power ファンタム電源 48V power for condenser mics
gain ゲイン Input level of a preamp
headroom ヘッドルーム Space between peak level and clipping
clipping クリッピング Distortion from signal exceeding 0dB
noise floor ノイズフロア The base level of unwanted noise

Microphone Types

Type Japanese Best For
condenser コンデンサー vocals, acoustic instruments, overheads
dynamic ダイナミック loud sources, live performance, guitar amps
ribbon リボン warm tone, room ambience, brass
shotgun ガンマイク dialogue, field recording

Mixing

EQ (Equalization)

Term Japanese Explanation
low-cut / high-pass filter ローカット Remove frequencies below a point
high-cut / low-pass filter ハイカット Remove frequencies above a point
shelf シェルフ Boost/cut all frequencies above or below a point
bell curve / parametric ベルカーブ Boost/cut a specific frequency range
bandwidth / Q Q値 How narrow or wide the EQ band is
notch ノッチ Very narrow cut to remove a problem frequency
muddy もっさり/こもった Too much low-mid energy (200-500Hz)
harsh きつい/痛い Too much high-mid energy (2-5kHz)
airy 空気感のある Boosted high frequencies (10kHz+)
boomy ブーミー Excessive low frequencies
tinny 薄っぺらい Lacking low frequencies
boxy 箱鳴り感 Resonance around 300-600Hz

Compression

Term Japanese Explanation
threshold スレッショルド Level where compression starts
ratio レシオ Amount of compression (2:1, 4:1, etc.)
attack アタック How fast the compressor reacts
release リリース How fast the compressor stops
knee ニー Soft or hard transition into compression
makeup gain メイクアップゲイン Gain added after compression
sidechain サイドチェイン Use another signal to trigger compression
limiter リミッター Extreme compression to prevent clipping
parallel compression パラレルコンプ Blend compressed and dry signals
multiband compression マルチバンドコンプ Compress different frequency ranges independently
de-esser ディエッサー Reduce sibilance (s sounds) in vocals

Effects

Effect Japanese Description
reverb リバーブ Simulates room acoustics
delay ディレイ Echo effect
chorus コーラス Thickens sound by slight detuning copies
flanger フランジャー Swept comb filter effect
phaser フェイザー Phase-shifted copies of signal
distortion ディストーション Adds harmonic overtones
saturation サチュレーション Subtle, warm distortion
tremolo トレモロ Volume modulation
vibrato ビブラート Pitch modulation

Mixing Terms

Term Explanation
panning Placing sounds left/right in stereo field
stereo width How wide the stereo image is
mono compatibility How the mix sounds summed to mono
frequency masking Two sounds competing in the same frequency range
separation Each instrument having its own space
glue Making elements sound cohesive
in the pocket Tight, groove-locked timing
punchy Strong transients, impactful
warm Pleasant low-mid and harmonic content
bright Emphasized high frequencies
dark Reduced high frequencies
dry No effects applied
wet Fully effected signal

Mastering

Term Explanation
LUFS Loudness Units Full Scale — standard loudness measurement
peak level Maximum signal level
RMS level Average signal level
true peak Inter-sample peak measurement
loudness normalization Streaming platforms adjust volume (-14 LUFS Spotify)
dithering Adding noise when reducing bit depth
limiting Preventing the signal from exceeding a set level
stereo enhancement Widening the stereo image
mid/side processing Processing center and sides independently
reference track A professional track used for comparison
A/B comparison Switching between two versions to compare

Genres & Styles

Genre Description Key Characteristics
EDM Electronic Dance Music Four-on-the-floor kick, synths, drops
lo-fi Low fidelity Vinyl crackle, tape saturation, chill
trap Hip-hop subgenre 808s, hi-hat rolls, heavy bass
shoegaze Guitar-driven dreamy Layered reverb, distorted guitars
ambient Atmospheric Pads, textures, minimal rhythm
indie Independent DIY aesthetic, various sounds
R&B Rhythm and Blues Soul vocals, groove, neo-soul
jazz fusion Jazz + other genres Complex harmony, improvisation

Studio Communication

Directing a Session

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